Beach Reads? Well, maybe not these . . .

I haven’t written much lately because life’s been going in a million different directions.

First – I had my presentation about my research into George Kimmel’s disappearance that I had to prep for (which went great, by the way, thanks for asking, none of my friends did). That took a long time because I had to go back over the material, and dig back into the depositions, and look at the newspapers from my personal godsend, newspapers.com . . . so that meant time away from writing.

Second – well, frankly, I don’t have a second. I’ve been reading books for the ICT Reads challenge (read 11 books, 11 different categories), and getting through my to-be-read list. And some of the books have been amazing! Now, if you’re looking for a ‘beach read,’ this is not that list. But if you’re looking for something that will make you think, here’s a few:

the-perfect-horse-The Perfect Horse, Elizabeth Letts – this book is about the fight to save the famed Lipizanners of the Spanish Riding School, during World War II. What I always heard was a dumbed-down version:  Alois Podhajsky, Director of the School, asked General Patton to save them, and convinced him by doing a riding demonstration of the stallions’ talents. Not necessarily true! There were many people – American and Nazi, Polish and Austrian – who worked tirelessly together to save these horses from being killed by the Russians. Note:  if you grew up during the Cold War like I did, this book will not make you like the Russians any more than you probably do now – which, if you’re like me, isn’t very much.

notes small islandNotes From a Small Island, Bill Bryson – hands down the best, funniest, and most heartfelt look at Britain ever written. If you don’t want to go to Britain, you will after reading this. Bryson doesn’t pull punches, but he manages to find something endearing even in the worst situations. It is absolutely laugh-out-loud funny in places, so be warned and don’t read it in public unless you’re willing to let others in on the secret!

 

dominionDominion, C.J. Sansom – I’ve read Sansom’s Matthew Shardlake novels, set during the Dissolution period (1530s – 40s) in England. So when I saw this cover, I felt compelled to see what it was about. Fact:  this is the absolute scariest book I’ve ever read. Forget Stephen King. Forget Dean Koontz. They write about monsters and crap that isn’t real. But this – When I explain World War II for my students, I tell them to think about it as a giant chess game:  all the people, all the pieces had to be in their precise place in order for the Allies to win. Hitler had to survive numerous attempts on his life; Churchill had to be pulled from the morass to become PM; Roosevelt had to be elected to an unprecedented third term; King Edward had to abdicate his throne, leaving it to his younger brother. But remove just one piece . . . and what happens? This book. It’s set in 1952, twelve years after Britain surrendered to Nazi Germany and became ‘allies’ of Hitler. Churchill never became Prime Minister, and there was no one to convince the people to fight. So now, the police work with the Gestapo to root out dissenters; the Resistance is trying to gain ground against a corrupt British government; and I feel such revulsion in knowing that this is all extremely plausible and could have happened. It makes you think. It makes you realize what might have been.

forgersspell-coverThe Forger’s Spell, Edward Dolnick – LOVE this book! Last year I bought a bunch of books for a YA novel I was toying with writing (still am, don’t go getting any ideas!), about art heists, forgeries, and the Nazi quest to steal all the great treasures of Europe for themselves. This one, I read first. Dolnick is an art lover, and a great storyteller. The book is about the ‘career’ of Hans van Meegeren, a hack painter (seriously, how anyone could mistake his crappy, creepy stuff for Vermeer is beyond me!) who made a fortune during the 1930s and 40s selling faked masterpieces to the Nazis. Dolnick does a great job of explaining precisely how van Meegeren was able to do this – and get away with it for so long. A great story, and highly recommended.

 

Now that I’m off for summer, I’ll be getting back to work on the novels (once I get over this stupid sinus infection and can keep my eyes open, anyway!), and writing about that process. I can tell you right now:  the theme of the summer will be rewrites. But for now, if any of these books tickles your fancy, do grab them!

 

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“Killers of the Flower Moon” A Review

Sometimes, historians run across stories that won’t let us go. Stories that haunt us, that creep up on us at odd hours, that refuse to go away quietly. And yet. We hesitate, because these are often the stories that have no resolution, no sources, no proof.

For us, as author David Grann says, it’s not “a case of should this story be told; it’s a case of can this story be told?”

51wnupYTkOL._SY346_Last Thursday, Grann was in Wichita, a guest of Watermark Books. A friend called, and I dropped everything to go. Grann’s new book is called Killers of the Flower Moon:  The Osage Murders and the Birth of the FBI. As I read up on the book ahead of time, what I couldn’t believe is that the book’s events took place not only right in my own backyard – the Osage Nation is maybe 30 miles from my house – but that I’ve been researching the same time period for a couple of years and have never run across any mention of this event.

If the name David Grann sounds familiar, it might be because he’s a writer for The New Yorker. It might also be because he wrote a little book called The Lost City of Z, which was recently made into a movie with Brad Pitt.

Killers of the Flower Moon is broken into three parts. Part 1 focuses on the early days of the Osage Nation, including the discovery of oil on their lands, and the first murders. Part 2 focuses on the story of Tom White, the FBI agent assigned to solve the crimes, and his investigations. Part 3 is David Grann’s story of finding out about the murders, his research, the questions he still has, and his own suspicions.

OSAGE_COUNTyThe Osage Murders are a little-talked about event in Oklahoma history. During the years 1921 – 1925, at least twenty-four wealthy members of the Osage tribe, as well as whites who were trying to help, were brutally murdered. But Grann thinks the murders began much earlier, and involved “scores, if not hundreds” more murders than the twenty-four officially acknowledged. Why were they murdered? One word:  money. In the early 1900s, there was an oil boom throughout northern Oklahoma and southern Kansas. Tiny ‘boom towns’ popped up everywhere, sometimes within just three or five miles of each other.  And nowhere was the oil boom bigger than in the Osage Nation.

Each member of the tribe had headrights – the profits from the wells – and most of those headrights made hundreds of thousands of dollars per year. Per capita, they were the wealthiest people in America. The owned huge mansions, the best cars (according to legend, families owned up to 11 cars each!), and even had white servants. Maria Tallchief, the first prima ballerina in America, was Osage.

And then the murders began.

Wealthy Osage were being poisoned, shot, and simply disappeared right and left – and those who would have talked about the murders were also killed. After local investigations led nowhere, FBI director J. Edgar Hoover sent in Agent Tom White to put together a task force to investigate and solve the crimes.

Osage_murders_9

Document from one of the murder trials – held by the Oklahoma Historical Society. By Rmosmittens – Own work, CC BY-SA 4.0, https://commons.wikimedia.org/w/index.php?curid=47663712

As a historian, I’m always fascinated by the research end of things. Grann said he first learned about the Osage Murders by accident. He took a trip to Pawhuska, to the Osage Nation Museum, where he saw a huge panoramic photograph of the people of the area – with one corner cut out. That corner, he was told, contained a photo of “the devil” – the man who most believe orchestrated and perpetrated most of the murders.

Grann began to research in earnest, spending years in archives, libraries, and courts. He found, as have most writers and historians, that while there were enough primary sources to work with, they didn’t answer all his questions. The things he most wanted were the very things that had been destroyed or lost over the years. In fact, last Thursday, Grann admitted that this was the hardest book he’s ever worked on. He spent weeks at the National Archives in Fort Worth and other places, digging through tribal records. He sought FBI files. He sought out descendants of both the victims and the murderers – though, as he says, sometimes they were one and the same. For him, this was never a case of ‘this story needs to be told;’ it was always a case of ‘can this story be told?”

Killers of the Flower Moon takes an even keel – you can senses Grann’s eagerness to discover the truth, and his frustration when he can’t, especially in the last section. But a true journalist, he never inserts his own views in the first two sections. Even in the third section, which he writes from his ow perspective, he holds back. He does make it clear that he thinks the FBI screwed up. But he doesn’t level accusations, just presents the information as he’s found it, and leaves it to the reader to decide.

It’s well-written and fast paced, and I enjoyed it a great deal. I certainly am floored that I’ve never heard of these murders before. However, as a historian, I came away feeling that it was ‘History Lite.’ This is a book of popular history, meant for the masses. As such, it’s a great introduction to this time period, the history surrounding the murders, and the Osage themselves. If you’re looking for a true historical account, you’ll be a bit disappointed. There’s no footnotes and no proper end notes. I wish Grann had used a historian to help him with citations, because anyone seeking to follow his sources are going to have a tough time of it.

Still. As someone who has also spent years chasing leads and sources and knows deep down that they may never find the answers to a historic cold case, I understand how difficult this book must have been for Grann to research and write, and I think he did a good job with an introduction to the subject.

Now it’s up to the historians to follow his trail and tell even more of the story.

 

Slate.com – Review of Killers of the Flower Moon – http://www.slate.com/articles/arts/books/2017/05/killers_of_the_flower_moon_by_david_grann_reviewed.html

An article on Atlas Obscura written by Grann about his research – http://www.atlasobscura.com/articles/osage-murders-photos-killers-of-flower-moon

Why I Hate Goodreads.com

I was talking with a friend yesterday about the importance of getting to know something before you hate on it. Obviously there are things you can hate without knowing them, like a serial killer. Or an animal abuser. Or a child pornographer. I think we can all agree that we don’t need to sit down to tea with people like this in order to dislike them. (Though as writers, we may find something in that teatime conversation that makes them into a well-rounded antagonist – again, something most of us probably don’t want to do.)

But I hate Goodreads.com.

There. I said it. I realize this is like saying “I don’t think Bradley Cooper is good-looking.” I realize that for a reader and an aspiring author, this is probably a Kiss of Death. So be it.

I’ve tried to get into it. I’ve tried to give it a chance. And to be fair, I did find my new favorite YA series, “Shades of London” by Maureen Johnson, there two weeks ago.

But there are so many things to hate about it. The layout. The font. (News flash:  the rest of the world uses sans-serif fonts for a reason.) The God-awful number of typos on the site (for a site about READING, the number of typos I can find on just one page of Goodreads’ own policies – not reviews, but content that they post, is ludicrous. Get. A. Proofreader. I cannot take a site seriously if it has that many typos.).

But most of it comes down to the PEOPLE on the site – the reviewers.

As far as I can tell, most of the people who leave reviews on Goodreads fall into the following categories:

  • People who spent most of middle school being shoved into lockers or trash cans. Or both.
  • People who turn to Goodreads to torment people because if they didn’t, they’d be well on their way to becoming serial killers.
  • People who SERIOUSLY need to go get lives. Who need to go volunteer in a soup kitchen or a humane society and see what life is really like outside four bedroom walls and the covers of a book.
  • People who are so pathetic that the only way they can feel good about themselves is to bring others down.

Goodreads’ own policies encourage this behavior. In their Review Guidelines, they come right out and say “Goodreads has some of the best book reviews anywhere. Our members are passionate, knowledgeable readers, and their contributions to the site are what make it such a vibrant and fun place.”

Another quote from their Review Guidelines: “Don’t be afraid to say what you think about the book! We welcome your passion, as it helps the millions of other readers on Goodreads learn what a book is really about, and decide whether or not they want to read it. We believe that Goodreads members should see the best, most relevant, thought provoking reviews (positive and negative) when they visit a book page. Our job is to show members those reviews, and not show reviews that we deem to not be appropriate or a high enough level of quality.”

In other words, we here at Goodreads are too lazy to figure out what’s trash and what isn’t, and intend to rely on the community to police themselves. Members *can* flag posts they feel are inappropriate and/or break the rules. But I’m willing to bet that none of these are ever removed.

News flash, reviewers:  A pathetic attempt to make yourself feel better by trashing someone else’s work – or worse, trashing someone else – is just that:  pathetic. It shows that you have zero maturity, zero self-control, and frankly, zero self-confidence. Your attempts to be clever are not clever in the slightest.

Those of us who truly love books and writing are out doing what we love to do, not wasting countless hours trying to convince everyone else that We Are Right and You Are Wrong by writing long, involved, and nasty reviews of books we may OR MAY NOT have read. We hold rational discussions. We recognize – because we’re writers, too – that the book you so zealously and callously demolish in your review is someone’s baby. As such, it deserves respect. That person got off their ass and wrote something, and finished it, and it was good enough to get published (unless it was self-published). That’s more than YOU have ever done, I’m sure of it.

(For clarification, here are links to Goodreads’ guidelines, as well as another page explaining in more detail what is and what might not be allowed. I still find these to be as fuzzy as a Persian cat wearing a mink stole.)

https://www.goodreads.com/review/guidelines

https://www.goodreads.com/topic/show/1499741-important-note-regarding-reviews