Inspired by true events . . . authors, agents, and publishing.

Last Saturday, I trekked 60 miles – about an hour and a half – to hear a ‘publishing panel’ at the Wichita Public Library.

I didn’t really know what to expect, and since I was about 15 minutes late (darn my addiction to white chocolate-cinnamon chip scones!) I honestly can’t tell you who the panelists were – I know one of them was former Kansas Poet Laureate Denise Low-Weso, who is co-publisher of Mammoth Publications (https://mammothpublications.net/). (No, the information’s not available on the library’s website, either, sorry!) By the time I got there, they were taking questions from the audience.

Most of the audience seemed to be beginning writers – there were some that were already published, either by small presses or self-published. I have to say that I think the panelists would have been best if left alone to answer the questions. However, there was a facilitator – a librarian – who simply wouldn’t let that happen. By the time it was over (half an hour early), my inner teacher had kicked in and I wanted to stand up and say LISTEN PEOPLE, IF YOU REALLY WANT TO KNOW THE ANSWERS TO YOUR QUESTIONS, LET’S GO OUTSIDE AND I’LL GIVE IT MY BEST SHOT! It was pretty clear that most people had come to get specific answers to specific questions – but they didn’t get them. And I felt so bad for them.

But I did want to address one question that was handled so poorly, the advice given was useless. Here it is:

I’m already self-published, but I haven’t had much success. How would I break into mainstream publishing? The facilitator wouldn’t let the panelists answer this question. She answered it herself and her answer was total crap. Her suggestion was to get a blog and get your books listed on Goodreads.

pointing+hand+vintage+image+graphicsfairy2Here’s the real answer:  GET AN AGENT. It really is the only way to break into mainstream publishing, even with small houses. Very few reputable publishing houses will accept unsolicited manuscripts. They just get too many! Last year, a fairly well-known sci-fi publisher accepted open submissions (no agents) for 30 days. They had more than 5,000 submissions. They did not read them all. Agents, for better or worse, have become the gatekeepers of the publishing world.

Agents aren’t just a gateway, though. They may be the first people to really critique your book and give you honest, unflinching, realistic views about it. I love my beta readers in large part because I know they will tell me that crap is crap. But so many people don’t have those kinds of betas – they have the kind that gushes over everything and proclaims it perfect. (Much the same way I imagine Trump’s handlers must do every time he opens his mouth and tries to utter a coherent sentence and fails spectacularly.) Agents don’t have time to do that, though. This is their business. They’ve got to sell books to publishers in order to keep their cars and houses. That’s why they’re so choosy about the projects they take on. On average, agents will only take on a teeny, tiny fraction of authors who actually query them. They don’t have time to do more.

Your first taste of how critical agents can be will come with the query letter. (For more on this, see my blog post https://kswriterteacher.wordpress.com/2015/05/03/agents-authors-and-query-letters-oh-my/ ) But I will say this:  the days of a form query letter addressed to ‘sir or madam’ are OVER. If your query letter isn’t 100% right, kiss that agent goodbye. Agents have requirements on their websites. Follow those requirements. Follow them to the letter.

There’s several responses you might get to your query letter. A lot of agents don’t even respond to query letters if the answer is ‘no,’ and I think that’s just wrong. Some will send a form letter back – ‘thanks but this isn’t for us.’ If the manuscript is good, but not their thing or not quite ready, they might send a personalized note – ‘Hey,  I really liked x, y, and z about this, but I’m not the best fit for the project,’ or ‘Like the concept, but the main character needs work.’ If they like the manuscript and they think it’s close to being ready they might say ‘look, I’m excited about this project, but there’s changes that need to be made to it. I’ve got them listed on the next page. If you’re willing to do that, then resubmit when you’re done and we’ll talk.’

If you get that last one, the agent’s interested. Really interested. If they take the time to not only read your manuscript, but also to make detailed notes about what they’d like to see changed, they’re interested.

Of course, what you really want is an email that says “OMG, I love this – can I call you at x time on x day to talk about representation???? Please????” 🙂 Been there, done that, best feeling in the world!!!! But even then, you might find that the agent isn’t the best fit for you and your work – and it’s up to you to make that decision. They might be asking for changes you’re not willing or able to make. That’s where you have to take a step back and say okay, do I want to be published – or do I want to be a writer? No, they’re not the same thing.

But to get back to the original question –

Agents are the ones who know what editors want. A lot of them started out in publishing, as either editors or junior editors. They know how to make a pile of pages into a book. They know which editors are actively seeking new projects – and what they want. And agents are the only good way to break into traditional publishing.

The sad fact is this:  yes, there are a handful of self-published authors out there who had the traditional publishing world come knocking at the door. A handful. That’s it. Hugh Howey had this kind of success with Wool (it started as a short story that evolved into an online novel; but by the time Simon & Schuster came along, it was already making more than $100,000/month on Amazon). And of course . . . E.L. James and Fifty Shades of Grey. But seriously? That’s like IT. So the odds of your novel a.) making it big on Amazon and b.) attracting an unsolicited bidding war between the Big Five are c.) astronomical.

I did a blog post a while back that included a bit about self-publishing – https://kswriterteacher.wordpress.com/2015/09/13/what-the-bleep-do-publishers-want/ – and the fact is this:  if you’re self-published and your novel isn’t doing well, it’s time to pull it and think about why that is. That’s what a good agent can help you with. (Also, a good freelance editor, who will – for a fee – read your manuscript and make suggestions. If you’re not good at editing, spelling, grammar, etc. I highly recommend you do this.)

One last sad fact to leave you with today:  most writers won’t break into mainstream publishing, depending on what your definition of ‘mainstream publishing’ is. If you’re only shooting for the Big Five, it’s a long uphill slog. If you’re okay with a smaller press, you’re in luck – they’re much more willing to take on new authors and more willing to work with you to make that novel successful. Again, these are things your agent will discuss with you.

But if you want to be published ‘mainstream,’ finding an agent is the only way to do it.

Some helpful links:

http://www.writersdigestshop.com/writers-digest-october-2016?utm_source=writersdigest.com&utm_medium=referral&utm_campaign=wd-bak-bl-161001-oct16-preview – this is the latest issue of Writer’s Digest, which had some great insights into what agents are seeking, as well as a list of new agents seeking authors. No, there’s no articles here, but you can run out to your local bookstore and grab it. 🙂

http://www.writersdigest.com/editor-blogs/guide-to-literary-agents/11-steps-to-finding-the-agent-wholl-love-your-book – from Writer’s Digest.

http://www.sfwa.org/real/ – from the Science Fiction and Fantasy Writers of America, on how to find an agent.

 

 

 

 

 

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