“Where do you get your ideas?” EVERYWHERE!

This weekend, I attended the Rose State Writer’s Conference in Oklahoma City. It’s always full of wonderful workshops, great panels, and fantastic speakers. This year’s capstone speech was given by children’s author Anna Meyers.

In her speech, she said something — and I will screw up the exact quote, sorry — that was very true. She said, “People always ask me where I find my ideas. I tell them I don’t find my ideas; my ideas find me.”

That’s so important, let me make it into a pull quote:

“People always ask me where I find my ideas. I tell them I don’t find my ideas; my ideas find me.”

This is one of the things I find SO frustrating about new writers! Not to go off on a soapbox, but come on! I’ve mentioned before that I frequent the Writer’s Water Cooler. Nearly every week, it seems, there’s someone there asking, “Where do you get your ideas? I have no original ideas. I can’t figure out what I want to write about.”

I need a soapbox icon, don’t I? Here you go:



I’m lucky; I don’t think I’ve ever had a shortage of ideas, and most writers don’t. We take inspiration from everything around us. A newspaper article. Something we heard on the radio. A “what if,” gleaned from a conversation. A snippet of dialogue, overheard while out shopping.

A lot of mine come from old photographs.

photo 1

Take this one, for example. I collect vintage photos — you’d be shocked at how many you can find at antique stores, rummage sales, heck, sometimes even in the trash! — and my mind often works on the question of who these people were, what their lives were like, who they knew and where they went, what they did for a living. Who were these people? How did they get along? Do they seem like a family to you, almost — or is there some subtext going on under the carefully neutral expressions? Is there one that jumps out out at you, who doesn’t seem to quite fit in? Why is that? Who would have a photo done of his household servants? (And before you think this is a modern photo made to look old, it isn’t:  this photographer hasn’t been in business for almost 100 years.)


Or, you could try this one. I found this one in a vintage photo album at an antique store this summer. I bought the albuphoto 1m just for this one photo, in fact — and I am floored by the mystery that I found within the rest of the pages. (But that’s MY story!)

This is precisely how Ransom Riggs came up with the idea for his bestselling YA novel, Miss Peregrine’s Home for Peculiar Children. If you haven’t read this book, READ IT. I’m not even remotely kidding. Here’s his website:  www.ransomriggs.com

The point is, inspiration is everywhere. As a photographer, I know that; my camera is never far away. The same thing with story ideas. Your mind should always be a radar dish, spinning constantly for that next scrap or spark. I’ve had ideas that came to me while running (Nicky, my rumrunner, whose story I’m finishing for NaNo this year), stories that came to me while riding the school bus,  and stories that were inspired by the photos I collect (sometimes not an entire story, but just a character — my beta readers may notice that the dark-haired man in the top photo looks an awful lot like a certain ghost they’ve been reading about lately . . .).

So please, please, please, for the love of all that’s holy and everything that isn’t, go get your own ideas! Hit an antiques store. Hang out at the food court in the mall and jot down every conversation you overhear. Read online sites and magazines you’d normally never read. Open you mind. Accept that your next great idea might come from the least expected place. As Diana Gabaldon is so fond of saying, her initial idea for Outlander came to her while she was watching an old episode of Doctor Who — but then, once she started writing, one of the first things that came out was “I’m Claire Elizabeth Beauchamp. Who the bloody hell are you?” (Here’s a link to one of her interviews:  http://www.goodreads.com/interviews/show/953.Diana_Gabaldon)

You have to be open to ideas. A lot of people are so judgmental — I can’t do that! That’s too hard! I know nothing about X or Y; I’d have to do so much research, I’ve never written about this, there’s that adage about ‘write what you know’ and I don’t know a thing about this . .  .  on and on, ad nauseum. Who are you to judge the ideas that come to you? To brush them away like a flake of ash on your coat sleeve? It bloody came to you. YOU. Go with it! 

Once you’re open to receiving new ideas — never mind if they’re good or not, who cares at this point?! — you’ll be shocked at how many come to you. I have at least six other books besides Nicky and my urban fantasy series, just waiting to be written. Does that worry me? Nope. Not a bit. I’ll get there. And so will you. Get a small notebook. Carry it. Or use the voice notes recorder on your cell phone. Every single idea, every single time. Don’t think you’ll remember it; you won’t. Don’t dismiss anything; that idea may not come through, but if you glean one thing from it, it was worth it.

Where do I get my ideas? Where should you? Everywhere. Now go out and find some, darn it. 🙂


Ahem. If you’re still struggling, here are some links to writing prompts you may find helpful:







4 thoughts on ““Where do you get your ideas?” EVERYWHERE!

  1. Yes! Completely agree. Also, I consider myself fairly new to being a serious writer. But I’m always struck by how many people complain about not knowing what to write about, an idea being too research intensive, or not “original” enough. It’s like, ok then, and you claim you want to write? For example, I like ghosts, and have at least three ideas involving the damn things. One is a horror novel that’s shelved for more research, one is a horror short story, and one is a YA Paranormal Romance novel. The concept of ghosts is far from original, but many people would brush it off like a bit of ash if the ghost thing tried to say, “Hi, I’m your newest plot bunny. Will you please write me?” Snobbery about ideas is really quite ridiculous when you think about it, especially if you’re just going to turn around and complain about having none.

    Honestly, I think my fellow newbies and people who are not newbies but just getting serious about writing, should only trunk ideas because they don’t genuinly have the skill yet to tackle it. I’ve trunked/shelved a few things just too far beyond my current skill set, and that’s ok. I will be going back to them when I’m confident I have the skills needed to finish those ideas. But to keep doing that or not even attempt the idea to prove whether I’m skilled enough for it or not? Sorry, that’s not lacking ideas, it’s just lazy thinking.

    • Absolutely! I also write about ghosts, and I’m willing to bet that your ideas and mine are not remotely similar. I also know another YA author who writes about ghosts. Her novels are not remotely similar to mine, either. But I still encourage you to not trunk ideas — play around with them, draft scenes as they come to you, start collecting bits of research. That will always keep things fresh in your mind, and encourage your subconscious to continue working away at it, even while you improve your skills on other projects. Then, when you’re ready, both your skill set and your ideas will be ready to mesh! 🙂 I have tons of small bits of stories tucked away in notebooks. Maybe I’ll return to them someday; maybe I won’t. But I’m glad I have them. They may spark another idea, or they may get re-purposed into a scene for a different novel.

      • Oh, when I say that I trunk or shelve something I don’t mean I stop working completely. I do something akin to what you do, research facts in fits and spurts, do little scenes if it catches my attention, little pieces of dialogue maybe etc. I’m not considering those things my primary projects anymore though, I consider them side projects that I’ve given myself permision to not have any form of deadline for. I guess you could say those projects are sort of on hold.

        What else do you write about besides ghosts if you don’t mind my asking? I write about vampires, humans, anything my brain latches onto is fair game for me. It all gets translated into some form of Speculative Fiction, whether SF, Fantasy, or Horror. I also don’t really discriminate about what age group I’m writing either, because I think I have the potential to offer both the YA and adult markets great stories to read. Heck, that PNR with the ghost? Lesbian romance taking place in a girls boarding school just outside of Boston, Ma around the very early Edwardian Era, and I fully intend to devestate the human girl in the climax scene by making her think she screwed up a ritual meant to make her ghostly girlfriend human and banished her soul instead. But I never thought I would want to write a Romance for any age group, even a Paranormal. If I was like so many people you see on forums for writers I would have brushed the idea entirely off because it isn’t “my genre” on the surface. Since I’m not like those people I just grumbled about it and was like, “fine plot bunny, that’s what you want to be then that’s what you want to be.” Granted some of this grumbling happened online,

  2. Okay, I LOVE that idea! I have spent the last five years or so on this urban fantasy series focusing on ghosts, but I also have a YA historical novel in the works (planning to finish during NaNo this year), and in the past, I did the usual derivative stuff — some fantasy (when I was reading Terry Brooks), Victorian romance (the Victoria Holt years), a time-travel romance that I still like an awful lot (inspired by Outlander, of course), and then a novel that I never quite found a genre for. I like it — I suppose it might be “chick lit,” but that’s a stretch — and it’s one of the few things I’ve written that had no fantastical elements to it whatsoever. In the back of my mind is a historical nonfiction that I’m researching about the disappearance of a man from my home town in 1898, and a couple of other series, definitely in the paranormal realm.

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